AO5 Study guides, Class notes & Summaries

Angela Carter AO5 (The Bloody Chamber and Other Stories) A-Level OCR, Latest Update Green (Carter and boundaries) - Carter subconsciously challenges where the boundary lies Simpson (desire and sexuality in The Bloody Chamber) - The Bloody Chamber is like a multifaceted glittering diamond reflecting and refracting a variety of portraits of desire and sexuality Day (Passive women in Carter's work) - Carter points out that passivity is not an intrinsically virtuous state, even - in ...

Clearly written revision notes for the context and critical analysis/ interpretation of the Oscar Wilde play 'An Ideal Husband', suitable for A Level, AS Level and GCSE study

Revision document produced by an A* English Literature A-level student containing key quotations, written analysis, critic quotes and production notes for EVERY character and theme in Twelfth Night. This will save a student from countless hours of researching which could instead be used for practising essay skills etc. In technical terms, this covers AO1, AO2, and AO5 and was designed with Paper 1 of the OCR English Literature A-level exam in mind, but may prove useful for other exam boards. ...

AQA A-level ENGLISH LANGUAGE 7702/2 Paper 2 Language diversity and change Version: 1.0 Final Post-Standardisation IB/G/Jun23/E7 7702/2 Monday 5 June 2023 Morning Time allowed: 2 hours 30 minutes Materials For this paper you must have: • an AQA 12-page answer book • the Insert for Section B (enclosed). Instructions • Use black ink or black ball-point pen. • Write the information required on the front of your answer book. The Paper Reference is 7702/2. • There are two sect...

Mark Scheme It is important to remember that these students, in the main, are 18 years old so we are judging their skills at the Weightings for each question are as follows: AO1: 7 marks AO2: 6 marks AO3: 6 marks AO4: 3 marks AO5: 3 marks   Mark AO Typical features How to arrive at mark Band 5 Perceptive/Assured 21-25 marks ‘Perception’ is demonstrated when students are showing the depth of their understanding and responding sensitively to the texts a...

A list of critic quotations from a variety of different critics for the characters; Prospero, Miranda, Ariel and Caliban. This file also contains my own personal production notes from the RSC 2016 production of the play by Gregory Dornan as well as the Globe 2013 production by Jeremy Herrin. There is analysis on costume, facial expression, proxemics, lighting, projections etc within the most important acts and scenes of the play. This file has all the AO5 you'll need.

Full mark essay written by an A* English Literature student, responding to the question: “The instinct to control others is natural in humanity”. In light of this view, consider ways in which the writers explore control and authority. This style of question is found in Section B, Paper 1 of OCR A-level English Literature and covers AO1, AO3 and AO5. The texts analysed in this essay are Book 9+10 of ‘Paradise Lost’ and ‘A Doll’s House’. Please feel free to leave a review if y...

Detailed essay plan produced by an A* Literature student in response to the statement ‘Hidden truths will always be revealed in the end’ This style of question is found in Section B, Paper 1 of OCR A-level English Literature and covers AO1, AO3 and AO5. The texts analysed in this plan are Book 9+10 of ‘Paradise Lost’ and ‘A Doll’s House’. Please feel free to leave a review if you found this essay helpful and check out my other resources for Paradise Lost and A Doll’s House!

ull mark essay written by an A* English literature student in response to the question ‘Love is only ever presented as something superficial in ‘Twelfth Night’’, focusing on the love expressed by Orsino, Viola and Antonio. This style of question is found in Section B of Paper 1 in OCR A-level English Literature and covers AO1, AO3 and AO5. I have 3 A* in my A-levels and 11 GCSEs at Grade 9 - please leave a review if you found this essay helpful and check out my other resources for ...