A* AQA ENGLISH LITERATURE PART B CRIME WRITING - COMPARISON OF THE MURDER OF ROGER ACKROYD AND POETRY ANTHOLOGY ‘When concerned with crime fiction, justice is only served when punishment is accorded’.

A* AQA ENGLISH LITERATURE PART B CRIME WRITING - COMPARISON OF ATONEMENT AND POETRY ANTHOLOGY ‘The perpetrator of crime is always hated by the readers of crime writing.’

A* AQA ENGLISH LITERATURE PART B CRIME WRITING - COMPARISON OF ATONEMENT AND POETRY ANTHOLOGY 2020 Guilt is its own punishment; it tortures those who have to live with it.’

A* ENGLISH LITERATURE CRIME WRITING PART B COMPARISON ESSAY - MURDER OF ROGER ACKROYD AND ATONEMENT ‘In crime writing, the guilty are justly punished.’ Explore the significance of punishment in two crime texts you have studied. Remember to include in your answer relevant detailed exploration of authorial methods. [25 marks]

A* ENGLISH LITERATURE CRIME WRITING PART B COMPARISON ESSAY - MURDER OF ROGER ACKROYD AND POETRY ANTHOLOGY ‘In crime writing outsiders/the marginalised are always key.’ Explore the significance of the outsiders and marginalised in two crime texts you have studied. [25 marks] Murder of Roger Ackroyd and The Poetry Anthology

A* ENGLISH LITERATURE CRIME WRITING PART B COMPARISON ESSAY - MURDER OF ROGER ACKROYD AND ATONEMENT ‘In spite of the crimes which are committed, order is always restored at the end.’ Explore the significance of order in two crime texts you have studied in the light of this comment.

A* ENGLISH LITERATURE CRIME WRITING PART B COMPARISON ESSAY - POETRY ANTHOLOGY AND ATONEMENT 'Women are always victims'

A* ENGLISH LITERATURE CRIME WRITING PART B COMPARISON ESSAY - MURDER OF ROGER ACKROYD AND ATONEMENT ‘The allure of the criminal outweighs the sympathy felt for their victims’.

A* ENGLISH LITERATURE CRIME WRITING PART B COMPARISON ESSAY - MURDER OF ROGER ACKROYD AND ATONEMENT 2020 ‘The beginning of the story is crucial to the way the crime narrative develops.’

A* ENGLISH LITERATURE CRIME WRITING PART B COMPARISON ESSAY - MURDER OF ROGER ACKROYD AND ATONEMENT ‘The principal characters in crime fiction are not driven by weak moral compasses surrounding right and wrong, but more powerful guides of good and evil’.